Emily Brontë Heathcliff is an enigma who must and can only remain an enigma. The unknowability of his origins, the instability of his identity, are the whole point. To argue that he is ‘from’ anywhere, or is of this or that race, is fruitless. If he is ‘from’ anywhere, it is hell; the intention is that he be perceived as a supernatural, demonic being, and it's this that elevates the novel from Victorian melodrama to the Gothic. Wuthering Heights  is informed by several differ

An in depth-look at Gary Indian's trilogy of crime novels, Resentment, Three Month Fever, and Depraved Indifference.

"Energy is Eternal Delight" William Blake A still from Nikita Mikhalkov's 1980 film adaptation of Oblomov I Oblomov, the eponymous anti-hero of Ivan Goncharov’s 1859 satirical novel, is the living embodiment of inertia. He's widely considered to be the epitome of the ‘superfluous man’ of Russian literature of the 1840s and 1850s, but has none of the Byronism, glamour, or elegance of Turgenev’s Bazarov or Pushkin’s Eugene Onegin . A man in his thirties liv

Pepe le Pew, a member of the marginalised skunk community, about to experience olfactory prejudice When Ally Louks created a Twitter storm after announcing that she’d passed her PhD with her thesis Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose, it gave outsiders a rare glimpse into postgraduate English studies in the UK. Based on the title alone, any criticism was unwarranted: it sounded innocuous enough, and potentially interesting, though not ori

“For those dreamers who considered that force, thanks to progress, could soon be a thing of the past, The Iliad  could appear as an historical document; for others, whose powers of recognition are more acute and who perceive force, today as yesterday, as at the very centre of human history, The Iliad is the purest and loveliest of mirrors”. Simone Weil, The Iliad or the Poem of Force Vengeance of Achilles , 1978, Philadelphia Museum of Art, Philadelphia Western literature beg

Jean Genet became familiar with the paintings of Rembrandt on visits to London in 1952, Amsterdam in 1953, then Munich, Berlin and Vienna in 1957, and this is one of two essays that he wrote about the painter. First published in L'Express in 1958, its style, like the rest of his art criticism, flits between the notational and the poetic. A meditation on the effects of profound loss on artmaking, seeing and vocation, it gives an inisght, too, into Genet's writing, particular

Swimming Stags, Lascaux cave, France " ... there are Still songs to sing beyond Mankind" Paul Celan, Threadsuns Art as violence The Boy’s Own story of the discovery in 1940 of the linked caves at Lascaux in the Vezere valley in France, and the 600 or so 17, 000-year-old paintings inside them by schoolboy Marcel Ravidat and his mischievous scamp of a dog Robot can be found in all histories of Prehistoric art. Since Lascaux, older sites and cave art have

A reappraisal of Louis Malle's 1963 film The Fire Within and its source nove, and how the film relates to various philosopies of sucide, in particular those of Schopenhauer and EM Cioran. Also discusses henri Bresson's 1964 movie Mouchette.